Sky Dominic — more than 20 years in entertainment, across nearly every craft it takes to tell a story: features, drama series, commercials, music videos, vertical drama, photography — for clients and productions around the world.
A — Z
I've been hired to work every stage of this pipeline — not read about it — so I see projects whole, not from one department's corner. That's the advantage clients feel: whatever the type, scale, or budget, I can scope it, put together the right team for it, and speak every department's language while they do their best work. And when a project calls for it, I can step into almost any seat myself.
Writer · Producer
Story, scripts, packaging — projects built to get made.
1st AD · Producer
Casting, scheduling, logistics — plans that survive day one.
Director · DOP · Gaffer · Focus Puller · Actor
On the floor in any seat — both sides of the camera.
Editor · Colour · VFX
A full DaVinci Resolve post pipeline, shot with the edit in mind.
Founder · VFlik
Distribution and audience — work that's reached 100M+ views.
About
I didn't set out to collect job titles — I set out to make things, and I love this craft too much to stand in one corner of it. So I learned the whole of it, the unconventional way: just doing it.
Every skill below was earned on real productions, to the highest professional standard. I lit a feature that now streams on Netflix. I developed my own free-form focus-pulling technique for one-take music videos. I've framed it, cut it, coloured it, and run the floor as a 1st AD — and I've acted, my first love and the reason I understand both sides of the camera.
Today I write, direct, and produce — commercials, short films, vertical drama for international clients — and I'm building VFlik, a virtual cinema marketplace for independent filmmakers.
How I work
Features, commercials, vertical drama, music videos, documentary — $50M sets to no-budget passion projects, local crews to international clients, each with their own way of working. The format and scale change; the standard doesn't.
300+ sets teach you what goes wrong and how to fix it before it costs the day. Calm, quick decisions under real-world pressure.
The best work is built together. But when a production needs someone to take charge or cover a gap, I step in without missing a beat — because whatever the job is, I've done it before.
Efficiency and accuracy at every step — including AI, used as a tool to move faster where it serves the work. Never as a replacement for craft.
The network
Twenty years in this industry builds more than skills — it builds people.
Cast, crew, and specialists across every department, built over hundreds of productions in multiple countries. Whatever a project needs — wherever it shoots — I know who to call.
Creatives I love working with
Sky Dominic — Full credits on IMDb →